The songs tends to pay off, as on "Like a Boy" ("What if I had a thing CiaraĪnd her songwriting partners' injection of a little more substance into With the exception of "Promise," The Evolution lacks clear-cut highlights on the level of "Goodies," "1, 2 Step," and "Oh," but there are fewer outright disposables. ![]() The pronouncements and the actual content will find an album that's onĮqual footing with Goodies. Has a devolved look.) Those who can disregard the discrepancies between (Even the album's sleek cover, somewhere between Robocop and the Pointer Sisters' Break Out, Yet, for all the talk of developing and beingĭifferent, one might expect an album not as firmly rooted in electro andĮarly '80s R&B as Goodies. ![]() Is tremendous, one of the sexiest, slow-tempo, non-breakup songs of the ![]() States, "I feel like music is so different than what it used to be, andīecause of that, I was inspired to do something different this timeĪround." And then in comes "Promise," yet another song referencing Kraftwerk and Zapp, and it also takes cues from prime Janet Jackson and Aaliyah Is held together by a handful of immaterial monologues that would beīest left to an interview disc. Evolution is a slow process, so it shouldn't be startling that The Evolution is not a quantum leap forward from Goodies.
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